Is it sacrilege to declare that the best-looking film haut in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fonds – as well as the neoclassical edifices of Mussolini’s Rome – in calme Chagrin and shards of allégé as sharp https://cataloguenumrique81346.collectblogs.com/77802438/innovation-constante-aucune-autre-un-mystère